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A Tactile Descent: BASTIEN PONS Redefines Listening on Blinded Album

  • Writer: Miles Coleman
    Miles Coleman
  • Jul 25
  • 2 min read
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With Blinded, French sound artist and photographer Bastien Pons delivers a debut album that defies classification and resists passive listening. This is not music in the traditional sense. It is an environment, a world suspended between presence and absence, noise and silence. Meticulously sculpted, Blinded operates like an auditory chiaroscuro, using texture and tone instead of melody to build space and atmosphere.


Pons, who studied under musique concrète pioneer Bernard Fort, approaches sound with a visual artist’s sensitivity. His training is evident, but so is his instinct for emotional resonance. Across seven tracks, he presents not songs, but sonic meditations. The album breathes slowly, evolving in and out of consciousness. Layers of field recordings, grainy drones, and manipulated ambient fragments create an immersive listening experience that feels at once tactile and intangible.


There is a palpable rawness to Blinded, a deliberate resistance to polish or resolution. The production does not seek to seduce or soothe. Instead, it draws the listener inward, into a space that is reflective and occasionally unsettling. Where many ambient or experimental releases are content to drift, Blinded lingers with purpose. Each pause and swell is calibrated with emotional weight. Silence becomes as meaningful as the sounds themselves, carving negative space into the listening experience.


Throughout the album, Pons blurs the boundary between the organic and the synthetic. Textures flicker like decayed film stock. Atmospheres hover with the intimacy of a whispered confession. While the album carries traces of industrial and dark ambient traditions, it does not mimic. It embodies. Every piece is an artifact of introspection, capturing not just the sounds of the world, but the emotional echoes they leave behind. The title Blinded speaks volumes, not just about what is obscured, but about the act of perceiving beyond the visible. The album’s sonic palette mirrors this concept beautifully, often evoking the feeling of navigating in darkness, guided only by touch, memory, and sound. It is an experience meant to be inhabited, not consumed.


Pons proves that restraint can be just as powerful as expression, that abstraction can evoke profound emotional clarity. Blinded marks the arrival of a bold new voice in experimental sound art. It invites listeners not simply to hear, but to surrender.







Follow Bastien Pons on Instagram, Facebook, YouTube, SoundCloud for more on his sonic and visual explorations. Step into the shadows and stay a while.

 
 
 

1 Comment


bastien.pons
Aug 04

Dear Miles,


Thank you so much for this thoughtful and beautifully written review. I’m genuinely touched by the care and insight you brought to your listening experience — and to your words.


You captured the heart of Blinded with uncanny precision: its silences, its textures, its resistance to easy form. It means a great deal to me that the work resonated with you not just sonically, but emotionally and conceptually. Your description of the album as “an auditory chiaroscuro” and “an experience meant to be inhabited” is exactly what I had hoped to convey — you put into words what I only managed to express through sound.


It’s incredibly encouraging to see a listener engage so deeply. Your review is…


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